Leadership

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Thirteen - Connecting Dancer Alvin Ailey’s Life Story With Classrooms

Thirteen - Connecting Dancer Alvin Ailey’s Life Story With Classrooms

Acclaimed choreographer Alvin Ailey infused his life story and Black cultural roots into his modern dance works, which have been enjoyed by millions since he first founded Alvin Ailey American Dance Theater in 1958 in New York City. Early dances such as Revelations remain favorites in the company repertory today, but many people don’t know the background of the artist, who died in 1989.

The New York Times: Scene City

The New York Times: Scene City

The Metropolitan Museum of Art honored its new acquisitions, including Ronald S. Lauder’s promised gift, at a black-tie gala on Dec. 7. The Alvin Ailey American Dance Theater celebrated Robert Battle’s 10 years as artistic director at its opening night gala on Dec. 1, held at the Ziegfeld Ballroom. And the New York Philharmonic held a concert and benefit dinner at Lincoln Center on Dec. 2.

The New York Times - Troupes Discover Their ‘Collective Strength’

The New York Times - Troupes Discover Their ‘Collective Strength’

Last summer, Jonathan Stafford, the artistic director of New York City Ballet, was feeling isolated and anxious. It was a few months into the pandemic, and the strangeness of lockdown and the turmoil and urgency of the Black Lives Matter protests were on his mind. City Ballet’s performances, programs and plans had come to an abrupt halt — as they had for performing arts organizations across the country. No one knew when or how theaters would open again. Stafford called Robert Battle, the artistic director of Alvin Ailey American Dance Theater, to chat. “This is great,” Battle said after they had spoken for a while. “I wish we were talking to other artistic directors.”

The New York Times - Alvin Ailey Dance Theater Announces Its Fall Season

The New York Times - Alvin Ailey Dance Theater Announces Its Fall Season

Alvin Ailey American Dance Theater’s coming season at New York City Center will celebrate Robert Battle’s 10 years as artistic director, the company announced Wednesday. After the difficulties of the past 17 months, Battle is more open to embracing the occasion than he might otherwise have been.

The Washington Post - Documentary Proves A Dance Is More Than Just Its Steps

The Washington Post - Documentary Proves A Dance Is More Than Just Its Steps

Memory was the anchor of famed choreographer Alvin Ailey’s work, the fuel behind the joy and restraint in his massively successful fusion of Black culture, theater and modern dance in the 20th century. That’s what those who knew and worked with him say in new documentary “Ailey,” which examines Ailey’s life and explores how to best remember a man who died more than 30 years ago but still lives on in the steps of those learning the moves he committed to dance doctrine.

New York Post - Giant Leaps: New Alvin Ailey Doc Celebrates Dance Legend’s Greatness

New York Post - Giant Leaps: New Alvin Ailey Doc Celebrates Dance Legend’s Greatness

At the beginning of “Ailey” – the documentary about iconic choreographer Alvin Ailey, which opens in New York today – greatness recognizes greatness when Cicely Tyson calls him the “Pied Piper of modern dance” at his 1988 Kennedy Center Honors induction. And for this master of movement – who founded the internationally renowned Alvin Ailey American Dance Theater company in New York in 1958 – it was all about brining black people to the traditionally white world of dance.

The New York Times - The Man Behind The Dances

The New York Times - The Man Behind The Dances

Too often, the idea of Alvin Ailey is reduced to a single dance: “Revelations.” His 1960 exploration of the Black experience remains a masterpiece, but it also overshadows the person who made it. How can an artist grow after such early success? Who was Alvin Ailey the man? In “Ailey,” the director Jamila Wignot layers images, video and – most important – voiceovers from Alvin Ailey to create a portrait that feels as poetic and nuanced as choreography itself.

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