Zellerbach Hall was packed and spirits were high for opening night of Alvin Ailey American Dance Theater’s 56th visit to Berkeley.
Renowned choreographer Alvin Ailey started his namesake dance company back in 1958, and his work has remained timeless over the decades. Whether it’s the joyous celebration of Night Creature, the playful Pas de Duke, or his most revered masterpiece, Revelations, his work can be a transcendent experience that has filled the hearts and souls of audiences around the globe.
As a Black girl from the inner city of Baltimore, I hadn’t known anything about the codified world of dance growing up. Ballet was something I had only seen on TV—and who I saw in it never looked like me. I never thought that would be my future. My first introduction to dance was at my audition for the Baltimore School for the Arts, and from there a love bloomed.
Artistic Director Emerita, Judith Jamison sits with Tamron Hall to discuss the AILEY Documentary, the 50th anniversary of Alvin Ailey’s beloved Cry, and the highly anticipated 2022 US Tour, kicking off Philadelphia.
The Alvin Ailey American Dance Theater is back on stage performing in front of a live audience for the first time in a year and a half. The legendary dance company held a gala Wednesday to celebrate the first performance since COVID shut it down in March of last year.
"He’s just as important as Michael Jordan,” said Tremaine Emory. Emory was referring to Alvin Ailey, the Black activist and choreographer who founded the Alvin Ailey American Dance Theater in 1958, when Black stories weren’t being told onstage through modern dance. His name isn’t as familiar as Michael Jordan’s, but his impact is far reaching. Ailey passed more than three decades ago, but his name still lives on through the dance company that he founded and the work he contributed. In 1960 he produced “Revelations,” a piece that tells the story of African American culture from slavery to freedom, and is still being performed by his company today. Emory, the designer behind Denim Tears, wanted to honor that with his newest project, an apparel collection called Cry/Revelations that was produced by Champion. Emory said Champion approached him about a collaboration and he immediately knew he wanted to do something connected to Alvin Ailey.
Alvin Ailey American Dance Theater’s Jacqueline Green is featured in “Really Love” performing an excerpt of Alvin Ailey’s Cry.
Eavesdrop pre-curtain at Bay Area dance shows and you’ll hear audience members sharing their top dance memories. High on almost everyone’s list? Alvin Ailey American Dance Theater at UC Berkeley. The company first visited the campus in 1960, two years after its founding, and has come back every year since. And neither Artistic Director Robert Battle nor Cal Performances’ leader Jeremy Geffen were about to let that Bay Area bond lapse in a pandemic, so the dancers have returned virtually in a streaming program that does an astonishing job of relaying their in-person power. The performance premieres Thursday, June 10, with a digital “watch party,” and will be available for streaming through Sept. 8.
Featured in Black Renaissance, Singer/songwriter Kelly Rowland pays special tribute to the 50th anniversary of Alvin Ailey's iconic masterpiece, Cry.
Glenn Allen Sims and Linda Celeste Sims did something many couples do: They had a baby. But they're no ordinary couple. As two treasured veterans of Alvin Ailey American Dance Theater — Glenn for 23 years, and Linda for 24 — they have long persisted in jobs that have pushed them to their physical limits. With the birth of their son, Ellington James Sims, in April 2019, they faced a new challenge.