For Four

Take four amazing Ailey dancers and add in Wynton Marsalis’ delicious jazz score – written in 4/4 time – and you’ll understand why Robert Battle cheekily titled this exuberant short work For Four. Capturing the pent-up energy of a world cooped up during the pandemic, Battle expresses the drive to perform and the electricity of dancers coming together to create.

For Four Info Sheet

Featured Images

Alvin Ailey American Dance ... (Read More) Alvin Ailey American Dance Theater's Samantha Figgins in Robert Battle's For Four (Hide)

Alvin Ailey American Dance ... (Read More) Alvin Ailey American Dance Theater's Solomon Dumas, Samantha Figgins, and Belen Indhira Pereyra in Robert Battle's For Four (Hide)

Featured Video

Robert Battle's For Four B-Roll

Featured News Releases

June 02, 2022

Alvin Ailey American Dance Theater Returns To Lincoln Center's David H. Koch Theater After Three-Year Absence From June 15-19

New York – June 2, 2022 – Alvin Ailey American Dance Theater, beloved as one of the world’s most popular dance companies, returns to Lincoln Center for the Performing Arts after a three-year absence for a six-performance engagement at the David H. Koch Theater June 15-19 that caps a decade of Artistic Director Robert Battle’s leadership. In addition to diverse programs featuring world premiere of Ailey Resident Choreographer Jamar Roberts’ In a Sentimental Mood and company premiere of Paul Taylor’s DUET, the season includes The Ailey Spirit Gala Benefit with Honorary Chair Grammy® Emmy® and Tony® Award-winning actress, singer and producer Cynthia Erivo; and An Evening Celebrating Jacqueline Green. Additional highlight includes free Ailey Extension “Dance in Times Square” outdoor workshop series hosted on Fridays at 5pm now through NYC Dance Week.

April 21, 2022

Alvin Ailey American Dance Theater Announces Lincoln Center Season Capping Artistic Director Robert Battle's 10th Anniversary June 15-19, 2022

New York – April 21, 2022 – Alvin Ailey American Dance Theater, beloved as one of the world’s most popular dance companies, returns to Lincoln Center for the Performing Arts’ David H. Koch Theater June 15-19, 2022, for a six- performance engagement that caps a decade of Artistic Director Robert Battle’s leadership. Ailey’s acclaimed dancers bring to life four diverse, dynamic programs featuring the world premiere of Ailey Resident Choreographer Jamar Roberts’s In a Sentimental Mood, the company premiere of Paul Taylor’s Duet, Alvin Ailey’s The River, a Battle 10th Anniversary program, and more. Alvin Ailey’s masterpiece Revelations provides the uplifting finale of each performance.

January 27, 2022

Alvin Ailey American Dance Theater National Tour January 28 - May 8 Celebrates A Decade Of Robert Battle's Leadership And 50th Anniversary Of Alvin Ailey's Cry

NEW YORK – JANUARY 27, 2022 – Alvin Ailey American Dance Theater, America’s beloved cultural ambassador to the world, returns to stages on a coast-to-coast National Tour starting January 28 in Philadelphia, kicking off Black History Month at the Kennedy Center in Washington, D.C. on February 1 , and traveling to cities like Atlanta, Miami, Berkeley, Boston, Chicago, and Los Angeles before the finale in Newark on May 8. Marking a decade of leading the Company forward, Artistic Director Robert Battle presents Ailey’s renowned artists in a diverse repertory of premieres, new productions, and Ailey classics. Highlights include a Battle 10th Anniversary program; two world premieres adapted from video to stage, For Four by Robert Battle and Holding Space by Ailey Resident Choreographer Jamar Roberts; the return of hip-hop innovator Rennie Harris’s acclaimed Lazarus; 50 Years of Cry commemorating Ailey’s beloved classic dedicated to “all Black women everywhere—especially our mothers;” and Ailey & Ellington, spotlighting cherished classics from the series of more than a dozen ballets that Alvin Ailey created celebrating the musical genius of the eminent American composer Duke Ellington. Alvin Ailey’s American masterpiece Revelations, which has inspired generations through its powerful storytelling and soul- stirring spirituals since its creation in 1960, will reach all cities on the North American tour.

Featured Press Coverage

SanFranciscoChronicleDatebook_AAADT_USTour2022_Berkeley_RobertBattle_Mass_Revelations_PrintReview_3.31.22

March 23, 2022

San Francisco Chronicle - Review: Classic ‘Revelations’ Feeds The Soul As Alvin Ailey Company Returns To Cal Performances

Alvin Ailey’s “Revelations” is back in the flesh — and Alvin Ailey American Dance Theater is dancing it as rousingly as ever. If you’ve never seen “Revelations,” or haven’t gotten a dose in a few years, make haste to the Ailey company’s current run at UC Berkeley’s Cal Performances, where this eternal and indestructible 1960 classic is slated to cap every program (there are five of them) on offer through Sunday, April 3. And brace yourself; as one longtime fan was heard telling a newcomer on opening night Thursday, March 29, “You’re about to go to church.”

TheAtlantaJournalConstitution_AAADT_USTour2022_Atlanta_RobertBattle_10thAnniversary_ForFour_Feature_2.7.22

February 04, 2022

The Atlanta Journal Constitution - Alvin Ailey Troupe Returns To The Fox

Instinct rather than intention guided Robert Battle, artistic director of the Alvin Ailey American Dance Theater, when he choreographed the image of dancer Renaldo Maurice, a Black man, draped in the American flag. Battle had envisioned his piece, “For Four,” as a light opener to a jazz score capturing the pandemic’s pent-up energies. But at some level, Battle said, he needed to respond to the murder of George Floyd and “these fragile times in our democracy.”

TheWashingtonPost_AAADT_RobertBattle_USTour2022_WashingtonDC_PrintFeature_1.30.22

January 30, 2022

The Washington Post - Pandemic Revived Ailey Dance Company Director's Own Creativity

When he became the artistic director of Alvin Ailey American Dance Theater 10 years ago, Robert Battle stopped seeing himself as a choreographer. “In fact,” he said in a recent phone interview, “there were parts of me that didn’t really think I would make another work.” Paradoxically, making work is precisely why Battle had landed at Ailey in the first place in 2011. It was his skill as a choreographer and director of his own small troupe, Battleworks Dance Company, that caught the attention of one of the world’s most prestigious modern-dance organizations. Judith Jamison, Battle’s champion and predecessor at Ailey, hailed him as “the creative force of the future.”