Members Don't Get Weary

The Miami Times - Social Justice With A Beat

In 2016, during the U.S. presidential elections, world-class dancer Jamar Roberts was on a European tour. He said that everywhere he went, people seemed to be musing over the controversial political scenario. “It seemed like the whole world was watching for the outcome,” he said, “and sharing the same feelings of anxiety and uncertainty as to its and impact on everyone.” Roberts, a Miami native, processes that tumultuous moment through physical language. It was in that context that his choreography debut for the Alvin Ailey American Theater emerged. “Members Don’t Get Weary” is an artistic portrait and meditation on the current American social landscape, it speaks to a mix of worries about the economy, social injustice and violence.

WLRN - Alvin Ailey American Dance Theater Brings A Dance For Troubled Times

Seeing Alvin Ailey American Dance Theater for the first time is a rite of passage for anyone who loves dance (and for plenty of people who didn't know they did). Jamar Roberts first saw the company perform in Fort Lauderdale when he was a kid growing up in South Dade. Like so many of us, the first Ailey dance that swept him away was "Revelations," and for him, it was specifically the "Sinner Man" section. He's told he cried, though he doesn't remember that.

The New York Times - Ailey Dancer Honors His Roots

MIAMI - Jamar Robers has been around the world as a leading dancer with the Alvin Ailey American Dance Theater. But in a week after Hurricane Irma swept through Miami, he was back where he started, at Dance Empire, a studio in a suburban strip of warehouses here.