Spanish Choreographer Gustavo Ramirez Sansano embraced dance at a young age. And while modern dancing is a competitive field that is known for grinding talent down and burning them our quickly, Gustavo has achieved a long lasting career. Today he is sought after by almost many major dance companies around the world, and recently with his new project titled Victoria, which is a modern dance take to today’s political climate, Gustavo caught the eye of one of the most prestigious dance companies in the world: Alvin Ailey. For more on his new gig, here is Gustavo himself, only on American Latino TV.
The Alvin Ailey American Dance Theatre is reviving its production of Shelter to highlight homelessness in New York City.
Two productions from the 1980s returned to the repertory of the Alvin Ailey American Dance Theater last week, in refurbished form. The new iterations of Jawole Willa Jo Zollar's "Shelter" (1988) and Talley Beatty's "Stack-Up" (1982), par of the company's five-week City Center season, proved a study in contrasts of how dances can weather the passage of time.
"I take it almost like a mission," Yannick Lebrun of Alvin Ailey American Dance Theater said of performing "Sinner Man" from "Revelations," Ailey's 1960 masterpiece set to African-American spirituals. " 'Sinner Man' is a very powerful, propulsive section of 'Revelations' that shows who we are as Ailey men, but it definitely also has a deeper story: You're running for your life."
Jawole Willa Jo Zollar's 'Shelter,' a work about homelessness, speaks strongly to the anxieties of the moment.
In 1960, America was in the midst of a social transformation. The Supreme Court had ruled "separate but equal" unconstitutional six years prior, but the country's response was slow and turbulent as desegregation incited violent responses. Surrounded by powerful civil rights momentum, a 29-year-old Alvin Ailey created an ode to the resilience of the human spirit: Revelations.
Members Don't Get Weary, @alvinailey's newest work choreographed by @jmar82, is described as "a response to the current social landscape in America... an abstract look into the notion of one 'having the blues.'"
MIAMI - Jamar Robers has been around the world as a leading dancer with the Alvin Ailey American Dance Theater. But in a week after Hurricane Irma swept through Miami, he was back where he started, at Dance Empire, a studio in a suburban strip of warehouses here.
New York Magazine - Watch Alvin Ailey Dancers Transform Ella Fitzgerald's Scat Singing Into Movement
Before there was Scatman John and his eponymous hit “Scatman,” there was Ella Fitzgerald’s scat, an unequivocally better take on the improvisational, wordless jazz singing. This holiday season, Alvin Ailey is honoring Ella Fitzgerald’s centennial...
Paris isn’t lacking for new music venues. After the Philharmonie, another major construction project was completed in April: La Seine Musicale, in the south-western suburb of Boulogne. Designed by Shigeru Ban and Jean de Gastines, it occupies a third of the tiny Seguin Island on the Seine, hugging its shoreline; the flagship auditorium sits on one end like an oversized Fabergé egg, with rotating solar panels curving over it.