Modern dance is waning in popularity, and young people don't seem to feel as connected with the work anymore. So what's a 60-year-old ballet company like Alvin Ailey to do to seem limber again?
The Dance episode in this original series shows the life of dancer Hope Boykin, lighting director Al Crawford, and a dance physical therapist Dr. Shaw Bronner, at the Alvin Ailey American Dance Theater.
A professional dancer's body is a finely tuned instrument of movement and expression. And there are no more impeccably calibrated, eloquent "instruments" than those who make up the Alvin Ailey American Dance Theater.
If you head to the The Music Center’s Dorothy Chandler Pavilion from March 8-12, it's all about dance. And a lot of the dance is all about social justice.
Endurance, survival, getting through troubled times: the program that the Alvin Ailey American Dance Theater presented at the Dorothy Chandler Pavilion on Wednesday focused on crucial life lessons - some of them grim.
Alvin Ailey American Dance Theater gives the first of six performances at the Dorothy Chandler Pavilion on Wednesday, and woven through the run will be one prominent thread: social justice.
Ailey dancer and choreographer Hope Boykin talks about Ailey’s upcoming performances at the Los Angeles Music Center, and shares a segment from her world premiere r-Evolution, Dream.
Robert Battle, artistic director of the Alvin Ailey American Dance Theater, was prepping for an interview a few years ago and figured that, as head of a storied African-American troupe, he'd be asked yet again about black dance. So he called longtime mentor Carolyn Adams, one of modern dance's few black performers during her time with the Paul Taylor Dance Company.
Ailey choreographer bases contemporary dance on King's words. Hope Boykin, long time member of the Alvin Ailey American Dance Theater, returned to the National Center for Civil and Human Rights in January, wondering if she'd have the same rendezvous with inspiration she'd had two years earlier.
Hope Boykin, long-time member of the Alvin Ailey American Dance Theater, returned to the National Center for Civil and Human Rights in January, wondering if she’d have the same rendezvous with inspiration she’d had two years earlier. She’d just taught a master class at the museum, part of the Ailey company’s new Destination Dance initiative to offer year-round local programming in partnership with several Atlanta cultural organizations.