In normal times, Alvin Ailey American Dance Theater would now be encamped at New York City Center for the month, inspiring awe and bringing joy. This year, everything is virtual: a mix of archival and newly filmed video, supplemented with conversations, available free on the company’s website, YouTube channel and Facebook page.
Through the end of December, you can enjoy free virtual performances from The Alvin Ailey American Dance Theater. Associate Artistic Director Matthew Rushing and former company member Yusha-Marie Sorzano discuss Ailey Forward and their new ballet Testament, as a celebration of Revelations 60th anniversary.
Glenn Allen Sims and Linda Celeste Sims did something many couples do: They had a baby. But they're no ordinary couple. As two treasured veterans of Alvin Ailey American Dance Theater — Glenn for 23 years, and Linda for 24 — they have long persisted in jobs that have pushed them to their physical limits. With the birth of their son, Ellington James Sims, in April 2019, they faced a new challenge.
Every December, the dancers of Alvin Ailey American Dance Theatre fill the City Center stage, night after night, with their joy, very, and technical prowess. Traditionally, most of those performances end with "Revelations," Ailey's signature work from 1960. Ailey's virtual season kicks off, on Dec. 2, with an online gala, featuring excerpts from "Revelations," filmed outdoors at Wave Hill, in the Bronx.
NPR's Michel Martin speaks with Robert Battle, artistic director of the Alvin Ailey American Dance Theater, about their new all virtual season and how the pandemic has impacted the world of dance.
As if Alvin Ailey American Dance Theater didn't have enough to deal with while creating a high-profile new work during the pandemic, there was the weather. Rain scuttled much of an outdoor shoot for its new dance film, "Testament," — a contemporary response to the company's signature piece, "Revelations."
For Alvin Ailey American Dance Theater's first ever virtual season, a dancer and choreographer with a shared experience of partial deafness find a new way to make their artistry even more inclusive. While helping to choreograph a new work, Yusha-Marie Sorzano wondered about including American Sign Language. She found an ally and soloist in Ailey dancer Samantha Figgins.
The Alvin Ailey Dance Theater has become a cultural landmark in the world of dance. For the last six decades, dancers from the iconic company have performed signature masterpieces all over the globe. Now as we celebrate the holidays during these unprecedented times, the theater debuts its first virtual engagement to honor one of its classic ballets called Revelations.
Alvin Ailey American Dance Theater Artistic Director Robert Battle joins "GMA" live to share a sneak peak of the Company’s groundbreaking new season, titled "Ailey Forward."
For 17 years, New York City Center’s annual Fall for Dance festival has relied on a winning formula. Naturally, this year is somewhat different. Still, it was the new pieces that dazzled. Jamar Roberts, the resident choreographer of Alvin Ailey American Dance Theater, presented a solo, “Morani/Mungu (Black Warrior/Black God).” A big, beautiful dancer, Mr. Roberts has no trouble impersonating a god, powerful enough for battle yet benevolent. But the dance also reveals his rarer gifts of subtlety and singular musicality.