Alvin Ailey American Dance Theater

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The Telegraph - Alvin Ailey American Dance Theater, Programe A, Sadler's Wells, Review: A Stirring And Skin-Pricklingly Exciting Evening

The Telegraph - Alvin Ailey American Dance Theater, Programe A, Sadler's Wells, Review: A Stirring And Skin-Pricklingly Exciting Evening

Alvin Ailey was born in rural Texas in 1931. Like so many other African Americans then and since, he experienced frightful racism, but astonishing talent and tenacity allowed him to claw his way up to become one of America's best-loved dancer-choreographers. He founded his own, contemporary troupe - Alvin Ailey American Dance Theater - in 1958 as a vehicle and haven for black Americans who wanted to dance for a living. And, although Ailey himself died in 1989, his company lives on loud and proud, under the sterling directorship of Robert Battle.

BBC Radio - Front Row With Kirsty Lang

BBC Radio - Front Row With Kirsty Lang

In 1958 Alvin Ailey, aware that there were few opportunities for African-American dancers and choreographers, founded a company to tell the stories of black people through movement. Since then the Alvin Ailey American Dance Theater has become one of the most popular modern ensembles in the world. The company's artistic director, Robert Battle, talks to Kirsty Lang about its history, ambition and that constant difficulty - to get boys to dance.

The New York Times - Ailey Selects Resident Choreographer

The New York Times - Ailey Selects Resident Choreographer

Alvin Ailey American Dnace Theater announced Thursday that Jamar Roberts will be the company's first resident choreographer. Mr. Roberts, a veteran company member, will begin his tenure with "Ode," an examination of the value of life in an era of pervasive gun violence. The work for six dancers will debut on Dec. 10 as a part of Ailey's five-week season at New York City Center.

The New Yorker - Body Doubles

The New Yorker - Body Doubles

When the choreographer Troy Powell was a student at the Alvin Ailey American Dance Theater's school, more than forty years ago, he was struck, he remembered recently, by "these men that looked like me, these men that danced!" The other night, when he again found himself moved by a young man who looked like him, he was less surprised: Powell had handpicked the boy for the resemblance. The occasion for the body double was Powell's newest work, "Testimony," choreographed for the Ailey School's fiftieth-anniversary gala, at Lincoln Center.

The New York Times - Associate Director To Step Down At Ailey

The New York Times - Associate Director To Step Down At Ailey

Masazumi Chaya, the associate artistic director of Alvin Ailey American Dance Theater since 1991, will retire on Jan. 5 after the company's annual City Center season. But he'll still be involved with the organization: After he steps down, Chaya, 72, will be in charge of a licensing project that will assist in the restaging of Ailey's works. Matthew Rushing, a veteran dancer and the company's rehearsal director, will take over as associate artistic director, while Ronni Favors, a former Ailey member, will become the company's rehearsal director. Clifton Brown, a current dancer, will join Linda Celeste Sims as an assistant to the rehearsal director.

ELLE - Dancer Samantha Figgins Finds Balance

ELLE - Dancer Samantha Figgins Finds Balance

Dance is all about balance: long lines, landing exaggerated pirouettes, and maintaining perfect form from head to toe. Often, that sense of balance—of remaining strong and steady through every turn—starts in the ear. Samantha Figgins knows this all too well. A life-saving surgery during infancy left her with unilateral hearing loss, or deafness in one ear (her right). In our latest episode of The Movement, Figgins reveals the life-changing decision that allowed her to hear — and perform — fully, for the very first time.

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