After dance pioneer Alvin Ailey died in 1989, the future of the Alvin Ailey American Dance Theater was uncertain. It's difficult to keep a dance company profitable after its founder is long gone - many have tried and failed. But 30 years later, the group is thriving, and decided to celebrate its 60th anniversary and founder by commissioning a new work titled Lazarus.
NY1's Stephanie Simon visits Ailey II's artistic director, Troy Powell, and dancers Corrin Rachelle Mitchell and Leonardo Brito, for a sneak peek into Powell's first work for the company, Ebb and Flow. Ailey II will be performing at NYU's Skirball Theatre March 13-17.
Danica Paulos, who's now in her fifth season with the Alvin Ailey American Dance Theater, moves with captivating grace and power onstage. And when she's not wowing in-person audiences, the multitalented artist is mesmerizing Ailey's online followers: A gifted photographer, she regularly posts beautiful images of her coworkers to the @alvinailey Instagram page, which she's run for the past two years. We caught up with Paulos to talk about her diverse interests— and find out how she's helped shape AAADT's digital presence.
The Next Generation of Dance will take the stage this week at NYU Skirball, continuing a 60-year legacy. Artistic Director Troy Powell and dancer Alisha Peek discussed the event with 1010 WINS Sharon Barnes-Waters on a recent episode of "City Views."
Miami-raised and Fordham-educated, Ally Love is the in-area host of the Brooklyn Nets, an Adidas global ambassador, a Peloton instructor, an Alvin Ailey-trained dancer, a certified health coach and the founder of Love Squad, a company that empowers young women through panel discussions and group workouts.
Philadelphia choreographer Rennie Harris was given an enormous assignment when he was asked to make a piece honoring Alvin Ailey (the man) for Alvin Ailey American Dance Theater's 60th anniversary. But what Harris made was a masterpiece. Lazarus had its Philadelphia premiere Thursday night at the Academy of Music.
Choreographer Rennie Harris, international pioneer of street dance theater, isn't big on accepting praise. He might have to learn. Harris' latest work, Lazarus, his fourth and most recent commission for Alvin Ailey American Dance Theater, has elicited unprecedented adulation from eminent dance critics. The piece commemorates the Alvin Ailey troupe's 60 years. It makes its Philadelphia debut Friday night and Saturday afternoon at the Academy of Music, along with Ailey's iconic Revelations.
It's very telling that, even at 60, Alvin Ailey American Dance Theater continues to break new ground. As part of its annual visit to Atlanta's Fox Theatre, the company is presenting its first ever two-part ballet, "Lazarus," in honor of the company's 60th anniversary season.
The Alvin Ailey American Dance Theatre has been creating transcendent moments for 60 years, and one of its newest voices is that of dancer and choreographer Jamar Roberts.
In the sun-soaked foyer of Atlanta's National Center for Civil and Human Rights, a tall, lean young man guided about 40 dance students last month as they learned an excerpt from Alvin Ailey's masterpiece Revelations. Christopher R. Wilson, a native of Augusta, Georgia, and a first-year member of the Alvin Ailey American Dance Theater, moved with ease and elegance between lines of young dancers, calling directions in a voice that matched the choreography's rhythm and cadence.