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WRDW - Local dancer makes it to the Big Apple from the Garden City

WRDW - Local dancer makes it to the Big Apple from the Garden City

AUGUSTA, Ga. (WRDW/WAGT) -- He was picked on for perfecting a pirouette rather than his crossover, but that didn't stop Christopher R. Wilson from chasing his dreams. Christopher's dreams has lead him from the Garden City to the Big Apple. "Dancing is a full time job. Just like how anyone goes to work 9-5. We dance," he says. This year, he will be joining the Alvin Ailey American Dance Theater. Fulfilling a lifelong dream at age 22.

WBGO - Ailey Dancer Jamar Roberts Premiers New Piece at NJPAC

WBGO - Ailey Dancer Jamar Roberts Premiers New Piece at NJPAC

Alvin Ailey American Dance Theater dancer and choreographer Jamar Roberts talks about his love for choreography, working with Ailey dancers, and the inspiration for his new piece, Members Don't Get Weary, premiering at the company's 20th annual Mother's Day Engagement at NJPAC.

San Francisco Chronicle - Berkeley is a home on the road for Ailey

San Francisco Chronicle - Berkeley is a home on the road for Ailey

Seen once, the opening moments of Alvin Ailey’s “Revelations” are forever imprinted on a viewer’s inner eye. Arrayed in tight formation, the dancers bend one way and then the other, arms outstretched in solemn body harmony with the spiritual “I Been ’Buked.” Then, like a flock of birds poised to take flight, they simultaneously knee-bend toward the floor and wing-span their arched arms in one of the signature images of American dance. It never fails to send a collective shiver out across the footlights.

NYC Media - A Day's Work: Dance

NYC Media - A Day's Work: Dance

The Dance episode in this original series shows the life of dancer Hope Boykin, lighting director Al Crawford, and a dance physical therapist Dr. Shaw Bronner, at the Alvin Ailey American Dance Theater.

Good Housekeeping - These 10 Humanitarians Are Our Heroes - And They're All Over 50

Good Housekeeping - These 10 Humanitarians Are Our Heroes - And They're All Over 50

What will you do in this decade? These phenomenal women are at #theperfectage to level the playing fields for everyone with experience, wisdom and heart - watch them work. The Dancing Director, Nasha Thomas, 55, former ballet dancer and National Director of AileyCamp, an Alvin Ailey summer camp based in dance for underserved youth.

Dance Spirit - Letter To My Teenage Self: Fana Tesfagiorgis

Dance Spirit - Letter To My Teenage Self: Fana Tesfagiorgis

Alvin Ailey American Dance Theater's Fana Tesfagiorgis captivates audiences with her ethereal grace and powerful, commanding technique. A Madison, WI. native, she began training in ballet at Ballet Madison at age 5, and also studied at Interlochen Arts Academy during high school. Later, she graduated from the Ailey'Fordham program with a BFA in dance and a minor in journalism, and danced with companies including Ailey II, Continuum, Footprints, and Nimbus Dance Works.

The New York Times - Rhythm And Yoga, In Deep Conversation

The New York Times - Rhythm And Yoga, In Deep Conversation

Afro Flow blends West African dancing, vinyasa style, live drumming and singing. Inside a glass-enclosed dance studio at the Ailey School in Hell's Kitchen in Manhattan, a diverse group of New Yorkers, stripped down to sports bras, T-shirts, tights and bare feet, stretched in a circle. Light drumming and singing accompanied a gentle, yoga flow.

WBUR - So You Think You Can't Dance? The Alvin Ailey Company Has Other Ideas

WBUR - So You Think You Can't Dance? The Alvin Ailey Company Has Other Ideas

In my head, I am a lovely dancer: graceful, elegant, deeply attuned to the music. My feet, however, tend to disagree. I was reminded of this tragic reality during a recent workshop with the Alvin Ailey American Dance Theater. The company is back in town celebrating the 50th anniversary of its first performance in Boston, and a key part of that celebration was to offer two community workshops last month. The opportunity was irresistible: Join scores of other people, some trained dancers and some not, to learn some of the movements from the Ailey company’s most famous piece, “Revelations.”

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