Il a 30 ans, il fait l'affiche d'Alvin Ailey pour la saison 2016-17, il est franҫias. Sur l'affiche, il danse couvert de peinture verte et jaune. L'image est si forte qu'une partie du courrier reҫu par la compagnie émane de spectateurs surpris de ne pas avoir vu, lorsqu'ils étaient dans la salle...
These Alvin Ailey dancers are sharing their journey of love and dance, and it's adorable.
Choreographer Maguette Camara sat down with Tracie Strahan to talk about his dancing experience and what he teaches at the Ailey Extension.
Judith Jamison was always going to be a tough act to follow. But in the six years since Robert Battle took the helm of Alvin Ailey American Dance Theater, he's launched a new era for the iconic troupe.
Romance will be spinning on Lincoln Center’s stage this season. Alvin Ailey dancers Michael McBride and Samuel Roberts will perform together for the first time as an engaged couple, though their story dates back eight years when the two joined the company together and were soon paired as roommates on tour.
Onstage, Clifton Brown is a force: a dancer with enormous presence, a strong theatricality and a large-scale, lush physicality. His long, graceful arms seem to embrace the world, and he has a way of tilting his face upward so it catches the light, giving him the air of someone illuminated by thought.
We rarely associate the effortless grace and majestic beauty of ballerinas with the ass-kicking power of squat presses, burpees, and pull-ups. But Alvin Ailey American Dance Theater company member Constance Stamatiou (you may recognize her as a featured Ailey performer on an episode of So You Think You Can Dance back in 2009) is shattering all preconceived notions.
Master teacher and former Ailey dancer Nasha Thomas shared some of her dance moves with students from Bowie Elementary and Charles Drew Charter. The Alvin Ailey Revelations workshop took place at the High Museum of Art in Northeast Atlanta. The workshop is part of Ailey’s new program, Destination Dance.
Michael McBride and Samuel Roberts both joined Alvin Ailey American Dance Theater in June 2009, but they were at very different points in their careers: McBride was just finishing his junior year in the Ailey/Fordham BFA program, while Roberts was already 10 years into his career.
A professional dancer's body is a finely tuned instrument of movement and expression. And there are no more impeccably calibrated, eloquent "instruments" than those who make up the Alvin Ailey American Dance Theater.