Takademe

(1999)
                                                                              
Choreographer: Robert Battle
Music: Sheila Chandra
 
Artistic Director Robert Battle mixes humor and high-flying movement in this fiery work. The complex, tightly woven rhythms of Indian Kathak dance are deconstructed and abstracted in this percussive, fast‐paced work, where clear shapes and propulsive jumps mimic the vocalized rhythmic syllables of Sheila Chandra’s syncopated score.
 
Robert Battle comments: Takademe is near and dear to me as one of my first creations. It’s a work I made in the tiny living room of my old apartment in Queens. As I begin as Artistic Director, I want to acknowledge my journey, look back on what I did with so little and recognize having so very much now. Also, the work has a sense of humor, and some of my other works that have been done at Ailey were in a more serious vein. I wanted to share another aspect of myself with the Ailey audience.”

Featured News Releases

Alvin Ailey American Dance Theater Announces Programming For New York City Center Season December 1-19, 2021

NEW YORK – UPDATED October 19, 2021— Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company and America’s beloved cultural ambassador to the world, returns to the stage for a much-anticipated annual season in their “home” theater December 1–19, 2021. Marking a decade of leading the Company forward, Artistic Director Robert Battle will present Ailey’s renowned artists in a diverse repertory of premieres, new productions and Ailey classics. The repertory features two world premieres adapted from video to stage by Robert Battle and Ailey Resident Choreographer Jamar Roberts as well as four new productions.

Ailey All Access Returns With A Fall Series Of Free Digital Broadcasts August 25 - November 17

New York, NY – August 25, 2021 – The Ailey organization resumes Ailey All Access with a fall series of free programs from August 25 – November 17 in advance of the much-anticipated return to the New York City Center stage for live performances this December. The online initiative, which has built community and celebrated the indomitable human spirit through dance since March 2020, features presentations of performance broadcasts, Ailey Extension dance and fitness classes, and more.

Ailey Documentary Opens In Movie Theaters Nationwide On Friday, August 6 After “Must-See” Acclaim From Sundance And Tribeca Film Festival Showings

New York, NY – August 3, 2021 – Director Jamila Wignot’s powerful AILEY documentary, a resonant biography of trailblazing visionary Alvin Ailey, opens in movie theaters nationwide on Friday, August 6. Heralded as a must-see at the Sundance Film Festival and a Tribeca Film Festival critics pick, the film is told through Ailey’s own words, along with interviews with those close to him, and features evocative archival footage and rarely seen historic performances. The official trailer here previews the film acclaimed as “extraordinarily moving” and “a movie that pulses with joyful expressiveness” that “hauntingly evokes Alvin Ailey’s majesty.”

Featured Press Coverage

Viewing NYC - The Freedom To Be: Alvin Ailey Dancers

In our third episode of The Freedom to Be video series, timed to coincide with #NationalDanceDay today (Sept. 18), we spotlight the Black dance community in NYC. Choreographer and dancer Alvin Ailey founded his namesake company in 1958 to bring African American dance to all corners of the US—and, eventually, the world. The dance theater, which forged a space for Black creatives in times and places where it often didn’t exist, is now a fixture of New York City culture. Meet two dancers from the troupe, Yannick Lebrun and Caroline Dartey, who emigrated from French Guiana and Switzerland, respectively, to pursue their dreams. Lebrun has been with the company for almost 15 years, while Dartey is just starting her journey. Both enjoy the sense of community and freedom of expression they’ve found at Alvin Ailey.

NewYorkTimes_AAADT_NYCC_JamarRobertsResidentChoreographer_Farewell_Feature_9.19.21

The New York Times - Now They Can Focus On Choreography

When star dancers retire, it's always a little sad. And if those dancers are still in their prime, fans can feel an especially acute sense of loss. The performances that won't happen are easy to imagine. But in the uncommon case when the dancer has already achieved distinction as a choreographer and is retiring to focus on that craft, the loss is offset by potential gain. The dancer will be absent from the stage, but the dancer's spirit and sensibility might spread across it... On Dec. 9, Jamar Roberts is giving his farewell performance with Alvin Ailey American Dance Theater.

NewYorkMagazineTheCut_AAADT_KhaliaCampbell_WellnessRoutine_Feature_8.27.21

The Cut - Alvin Ailey Dancer Khalia Campbell Talks Faith, Skin Care, Self-Discovery

Few dance companies are more prestigious and competitive to get into than Manhattan-based Alvin Ailey American Dance Theater. So, despite years of training and confidence in the skills she’d honed, Bronx native Khalia Campbell was stunned when she was asked to join in 2018. “I cried and cried,” she says. “I was totally in shock, but I was elated and I was grateful. I think that’s the best word to describe the feeling I had — grateful. One could say that it was destined to be.” “I don’t come from a musical background, but my dad was pretty musically inclined,” Campbell says of her father, who died when she was 1. “He was a DJ and he also played the drums. He used to put his headsets around my mom’s stomach when she was pregnant with me, so I just came out being able to listen to rhythm and move to it."