The Call

Ronald K. Brown’s joyous mix of modern and West African dance idioms – seen previously in Grace (1999), Open Door (2015), Four Corners (2013), and other works – fits the Ailey dancers perfectly, and his themes of spiritual awakening and redemption never fail to inspire. The Call, which is Brown’s seventh work for the Company, promises to once againrouse audiences with Brown’s infectious call for harmony and hope.

 

 

Featured Press Coverage

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New York 1 News - Spotlight NY: Alvin Ailey American Dance Theater

Ruschell Boone looks at the history of Alvin Ailey American Dance Theater with current and former artistic directors Robert Battle and Judith Jamison. They also discuss the 60th season, which is having performances at New York City Center through December 30th.

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New York Times - A 'Love Letter' To Alvin Ailey

The choreographer Ronald K. Brown stepped into a big studio at Alvin Ailey American Dance Theater and greeted the dancers with warm hugs. Then, almost without a word, he began to move, his feet and shoulders swaying to the beat, his upper body undulating slightly. "The Love," a Malian song with a slow, hypnotizing groove, was playing on the sound system. The dancers gathered in a semicircle around him, moving to the rhythm. Just like that, they were drawn into the spirit of the dance.

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Wall Street Journal - Ailey Ensemble Honors Its Founder

When the Alvin Ailey American Dance Theater company takes to the stage of New York City Center for the opening of its 60th anniversary on Wednesday night, it will have an unexpected guest of sorts. Namely, Alvin Ailey himself.