New York, NY – June 11, 2021 – The Ailey organization continues to inspire and enlighten millions across the globe with free broadcasts of performances, conversations, Ailey Extension dance and fitness classes, and more. In observance of Juneteenth, Ailey All Access will present a program of conversation and dance, speaking to the enduring power of the human spirit and extending Alvin Ailey’s legacy of artistic activism.
Since its creation in 1960, Revelations has consistently enraptured audiences all over the world with its perfect blend of reverent grace and spiritual elation. Alvin Ailey’s signature masterpiece pays homage to and reflects the cultural heritage of the African-American, which Ailey considered one of America’s richest treasures – “sometimes sorrowful, sometimes jubilant, but always hopeful.” Choreographed when he was only 29 years old, Revelations is an intimate reflection inspired by childhood memories of attending services at Mount Olive Baptist Church in Texas, and by the work of writers James Baldwin and Langston Hughes. Set to a suite of traditional spirituals, Revelations explores the emotional spectrum of the human condition, from the deepest of grief to the holiest joy. A classic tribute to the resolve and determination of a people, the ballet has been seen by more people around the world than any other modern work.
Of its creation, Ailey once recalled: “I did it chronologically, leading off with the opening part of Revelations, which was...about trying to get up out of the ground. The costumes and the set would be colored brown, an earth color, for coming out of the earth, for going into the earth. The second part was something that was very close to me – the baptismal, the purification rite. Its colors would be white and pale blue. Then there would be the section surrounding the gospel church, the holy rollers and all the church happiness. Its colors would be earth tones, yellow and black.”
The ballet premiered at the 92nd Street YM-YWHA on January 31, 1960, and has since been performed a countless number of times all over the world. It was part of Opening Ceremonies of the 1968 Olympics, and has been presented at the White House on numerous occasions, including at the inaugurations of Jimmy Carter and Bill Clinton. The piece has had many film and television broadcasts, its first, the 1962 CBS special Lamp Under my Feet. It is also the framework for Revelations: An Interdisciplinary Approach, a residency program that has been implemented in public schools around the country, and uses Ailey’s signature work as an organizing theme for a comprehensive, in-depth study of language arts, social studies and dance.
Alvin Ailey combined Horton technique with his own astounding choreographic vision to create a series of movement that intertwines impossible strength and ethereal grace. After six decades, this American classic has proven to be a cultural landmark in the world of dance, maintaining its astonishing originality and powerful elegance while continuing to inspire and enthrall audiences everywhere