Jacqueline Green

JACQUELINE GREEN (Baltimore, MD) began her dance training at age 13 at the Baltimore School for the Arts. She is a 2011 cum laude graduate of the Ailey/Fordham BFA Program, and also trained at the Pennsylvania Regional Ballet, the Chautauqua Institution for Dance, and The School at Jacob’s Pillow. She has performed works by choreographers including Wayne McGregor, Jiří Kylián, Ronald K. Brown, and Kyle Abraham. In 2016 she performed as a guest artist with The Royal Ballet. Ms. Green is a 2018 “Bessie” Award nominee for sustained achievement, a 2015 Clive Barnes Award nominee, a 2014 dance fellowship recipient from the Princess Grace Foundation-USA, a 2010 recipient of the Dizzy Feet Foundation Scholarship, and a 2009 recipient of the Martha Hill Fund’s Young Professional Award. In 2018 she performed on BET’s Black Girls Rock honoring Judith Jamison. She was a member of Ailey II and joined the Company in 2011. Instagram: @JaGreen711 

Featured News Releases

Alvin Ailey American Dance Theater Announces Programming For New York City Center Season December 1-19, 2021

NEW YORK – UPDATED October 19, 2021— Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company and America’s beloved cultural ambassador to the world, returns to the stage for a much-anticipated annual season in their “home” theater December 1–19, 2021. Marking a decade of leading the Company forward, Artistic Director Robert Battle will present Ailey’s renowned artists in a diverse repertory of premieres, new productions and Ailey classics. The repertory features two world premieres adapted from video to stage by Robert Battle and Ailey Resident Choreographer Jamar Roberts as well as four new productions.

Ailey All Access Returns With A Fall Series Of Free Digital Broadcasts August 25 - November 17

New York, NY – August 25, 2021 – The Ailey organization resumes Ailey All Access with a fall series of free programs from August 25 – November 17 in advance of the much-anticipated return to the New York City Center stage for live performances this December. The online initiative, which has built community and celebrated the indomitable human spirit through dance since March 2020, features presentations of performance broadcasts, Ailey Extension dance and fitness classes, and more.

Ailey All Access Premieres Special Cry Film Adaptation on Mother's Day In Conjunction With The 50th Anniversary Of The Beloved Work

New York, NY – April 30, 2021 – The Ailey organization is furthering the pioneering vision of its founder by “bringing dance back to the people” and lifting spirits through Ailey All Access, a series of online offerings including streaming of free performance broadcasts, Ailey Extension dance and fitness classes, and more. In a joyful nod to the 50th anniversary of Alvin Ailey’s beloved work, Cry, viewers will be treated to a new film adaptation of Jacqueline Green interpreting the extraordinary solo premiering on a Mother’s Day Matinee, on Sunday, May 9 at 3pm EDT. Created as a birthday present for Alvin Ailey’s mother Mrs. Lula Cooper, Cry debuted May 4, 1971 and is dedicated to “all Black women everywhere – especially our mothers.”

Featured Press Coverage

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CBS 2 New York - Performing Artists In NYC Finding Ways To Return To The Spotlight As Shutdown Continues

Thousands of creative artists are fighting for their survival as the entertainment industry remains mostly shut down, but new ways of working are starting to pop up, along with a stronger push for federal relief. A New York City rooftop becomes a stage. No curtain rises, but the Alvin Ailey American Dance Theater returns for a season that debuts new works and reinvents classics like “Pas de Duke,” as in Duke Ellington, by putting them online. The videos were filmed atop landmarks, like the Woolworth Building.

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The New York Times - An Ailey Dancer's Goddess Quality

Jacqueline Green was a shy 13-year-old when her mother, considering possible schools in Baltimore, observed two qualities that her daughter possessed. "You're the artsy child," Ms. Green recalled her saying. "You're flexible." Soon after, Ms. Green found herself at a dance audition for Baltimore School for the Arts. It was not only her first audition, it was also her first ballet class. "I had on Payless tights and shoes, and I don't know where we found a leotard," Ms. Green said. "I had my hair slicked back in this bun and I thought: 'People actually do this? Holding our arms out is tiring.'"