Dancers

Featured News Releases

Alvin Ailey American Dance Theater Announces Programming For New York City Center Season December 1-19, 2021

NEW YORK – UPDATED October 19, 2021— Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company and America’s beloved cultural ambassador to the world, returns to the stage for a much-anticipated annual season in their “home” theater December 1–19, 2021. Marking a decade of leading the Company forward, Artistic Director Robert Battle will present Ailey’s renowned artists in a diverse repertory of premieres, new productions and Ailey classics. The repertory features two world premieres adapted from video to stage by Robert Battle and Ailey Resident Choreographer Jamar Roberts as well as four new productions.

Ailey All Access Returns With A Fall Series Of Free Digital Broadcasts August 25 - November 17

New York, NY – August 25, 2021 – The Ailey organization resumes Ailey All Access with a fall series of free programs from August 25 – November 17 in advance of the much-anticipated return to the New York City Center stage for live performances this December. The online initiative, which has built community and celebrated the indomitable human spirit through dance since March 2020, features presentations of performance broadcasts, Ailey Extension dance and fitness classes, and more.

Ailey All Access Premieres Special Cry Film Adaptation on Mother's Day In Conjunction With The 50th Anniversary Of The Beloved Work

New York, NY – April 30, 2021 – The Ailey organization is furthering the pioneering vision of its founder by “bringing dance back to the people” and lifting spirits through Ailey All Access, a series of online offerings including streaming of free performance broadcasts, Ailey Extension dance and fitness classes, and more. In a joyful nod to the 50th anniversary of Alvin Ailey’s beloved work, Cry, viewers will be treated to a new film adaptation of Jacqueline Green interpreting the extraordinary solo premiering on a Mother’s Day Matinee, on Sunday, May 9 at 3pm EDT. Created as a birthday present for Alvin Ailey’s mother Mrs. Lula Cooper, Cry debuted May 4, 1971 and is dedicated to “all Black women everywhere – especially our mothers.”

Featured Press Coverage

NewYorkMagazineTheCut_AAADT_KhaliaCampbell_WellnessRoutine_Feature_8.27.21

The Cut - Alvin Ailey Dancer Khalia Campbell Talks Faith, Skin Care, Self-Discovery

Few dance companies are more prestigious and competitive to get into than Manhattan-based Alvin Ailey American Dance Theater. So, despite years of training and confidence in the skills she’d honed, Bronx native Khalia Campbell was stunned when she was asked to join in 2018. “I cried and cried,” she says. “I was totally in shock, but I was elated and I was grateful. I think that’s the best word to describe the feeling I had — grateful. One could say that it was destined to be.” “I don’t come from a musical background, but my dad was pretty musically inclined,” Campbell says of her father, who died when she was 1. “He was a DJ and he also played the drums. He used to put his headsets around my mom’s stomach when she was pregnant with me, so I just came out being able to listen to rhythm and move to it."

DanceTeacher_AAADTAileyExtension_SolomonDumasLisaJohnsonWillinghamWhatMyTeacherTaughtMe_Feature_8.17.21

Dance Teacher - What My Teacher Taught Me: Alvin Ailey American Dance Theater’s Solomon Dumas On Lisa Johnson-Willingham

When I was in high school, my friends at The Chicago Academy for the Arts told me about Lisa Johnson-Willingham, an impressive former Ailey dancer who was teaching Horton at Joel Hall Dancers & Center on Thursday nights. I decided I ought to give her class a try. The first time I went, I didn’t even pay for class. In fact, I don’t think I ever paid for her class. She was tough as nails, but she was always generous. The room was packed with people from all over the city. From modern dancers to professional ballet dancers to young students—everyone wanted to learn from her. Her classroom got so hot from sweaty bodies that the windows completely fogged up and contrasted the cold night outside.