Francesca Harper, Artistic Director

Francesca Harper began her professional dance career with Dance Theater of Harlem, after having performed at the White House as a young Presidential Scholar in the Arts, and subsequently was a member of William Forsythe’s Ballett Frankfurt (1991–1999), becoming a Principal Dancer in 1994. In Europe, she was chosen to perform with designers Issey Miyake and Gianni Versace and to perform in a film, Dancing Pleats, that was a 30-year retrospective of Issey Miyake’s design work in Japan. She also performed in Miyake's and Versace’s fashion shows in Paris and Milan. Following a vocal performance in Frankfurt, she was invited to record her first single, Slow Groove, which was produced on a compilation album and distributed in Europe and the U.K.  In 2006, she self-produced her own album, Modo Fusion, currently available on iTunes. Her first full evening of work as a choreographer, Dark Violet Light Stone, was commissioned by The Holland Dance Festival while she was still a member of Ballet Frankfurt. 

Ms. Harper has performed in Broadway productions including Fosse, All Shook Up, and The Color Purple, and starred as Helene opposite Molly Ringwald in a national tour of Sweet Charity (2007) and in Judith Jamison’s role in a revival of Sophisticated Ladies (2009).  She also created her first play for the Cherry Lane Theater in New York, 50 minutes with Harriet and Phillis, produced by Anna Deavere Smith, with her aunt, Pulitzer Prize- winning writer Margo Jefferson, and Paul Miller a.k.a DJ Spooky. She debuted her critically acclaimed one-woman show The Look of Feeling as a writer, actor, dancer, and vocalist in 2014 in New York City. She was invited to develop a new character for Punchdrunk’s Sleep No More, jazz vocalist Cecilia Robertson, a.k.a. Ceci, as well as several other roles in the innovative, immersive production. In 2018, Ms. Harper was nominated for Best Actress in a Musical by Broadway.com for her role as Billie Holiday in a production of Lady Day at Emerson’s Bar and Grill.     

Her television appearances include Boardwalk EmpireLate Night with David Letterman, and The Oprah Winfrey Show. She also served as ballet consultant for the feature film Black Swan (2010), directed by Darren Aronofsky and starring Natalie Portman, who won an Oscar for her performance.  Ms. Harper was also a featured performer in Zinnias – The Life of Clementine Hunter directed by Robert Wilson, touring internationally with the production. She received a Living History Award in 2013 during Black History Month from Long Island University and the Innovation and Technology Award for her choreography for Fashion Week with designer Louis Vuitton. She is the writer, producer, composer, and narrator of the documentary film To Lillian (2021). 

Ms. Harper has choreographed works for Alvin Ailey American Dance Theater, Ailey II, Dance Theater of Harlem, Hubbard Street II, Tanz Graz, and many more companies, including her own The Francesca Harper Project, which she founded in 2005. The Francesca Harper Project has performed at venues including La Biennale di Venezia, Holland Dance Festival, Harkness Dance Festival, The Colors Festival in Stuttgart, Central Park Summerstage, New York City Center, Harlem Stage, the Metropolitan Museum of Art, and The Joyce Theater. Ms. Harper served as movement director for Nick Cave’s The Let Go, commissioned by the Park Avenue Armory, which received a Bessie Award for Outstanding Production. Ms. Harper is a long-time artistic collaborator with MacArthur Foundation “genius award” visual artist Carrie Mae Weems, rock star Nona Hendryx, multimedia artist Carl Hancock Rux, and Margo Jefferson. Ms. Harper was awarded a two-year choreographic fellowship with Urban Bush Women, providing support toward her dance-theater work An Unapologetic Body, and a Fellowship at The Ballet Center at NYU. Recent engagements include serving as co-director and choreographer for the musical Rose’s War and as movement director for Tommy Hilfiger and Zendaya for their fashion show at the Apollo Theater in fall 2019.

During quarantine, Ms. Harper was the creator and directorial consultant for 16 world premiere virtual films. Her latest works include a new creation for Wendy Whelan, Associate Artistic Director of New York City Ballet, and renowned poet Marc Bamuthi Joseph. Ms. Harper is currently engaged as Executive Producer with Sony Pictures on a series in development.

As an educator, Ms. Harper has served as a Professor at The Juilliard School, an adjunct professor at NYU, a former associate professor at Barnard College, and a professor in the Ailey/Fordham BFA program.  She is currently pursuing an MFA in performance creation at Goddard College.

Featured News Releases

Alvin Ailey Dance Foundation Names Francesca Harper As Artistic Director Of The Ailey II Company

New York – September 1, 2021 – Robert Battle, Artistic Director of Alvin Ailey American Dance Theater, announced today that internationally renowned performer, choreographer, director, and multi-disciplinary artist Francesca Harper has been appointed Artistic Director of Ailey II, the Ailey organization’s acclaimed company of young dancers. Ms. Harper will assume her duties on September 7, 2021, and will immediately begin preparing for Ailey II’s return to the stage. Ailey II’s 2021-2022 season will kick off in December with participation in Alvin Ailey American Dance Theater’s annual season at New York City Center, in which Ailey II will perform in Mr. Ailey’s classic Memoria, and will continue with the company’s own 2022 New York City season March 23-April 3 at The Ailey Citigroup Theater, as well as a U.S. tour.

Featured Press Coverage

AmsterdamNews_AileyII_FrancescaHarperArtisticDirector_Feature_9.30.21

New York Amsterdam News - Francesca Harper Named Artistic Director Of Ailey II

Ask Francesca Harper how she felt when Alvin Ailey American Dance Theater Artistic Director Robert Battle announced her appointment as artistic director of Ailey II, that internationally renowned AAADT’s acclaimed troupe of young talented dancers and she gushes with excitement declaring, “It’s kind of surreal.” Yet, in many ways the appointment seems a natural step in a rather remarkable career, as well as a promising beginning of a critically acclaimed dance company’s next chapter, and last but not least, as a perfect example of the circle of life.